The unions of artists - "THE BLUE ROSE" AND "THE JACK OF DIAMONDS" — страница 5

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the constant companion and adherent Larionov in its searches Н.С were close. Гончаровой (1881 - 1962). In a picture "canvas Washing" (1910) figures of two women against лубочно "размалеванного" a rural landscape, stocky, with heavy ступнями, are written with that is naive-touching liking to represented which distinguishes children's drawings, especially when the child reproduces well familiar, habitual subjects and situations. Here we deal any more with aesthetically-game stylization of a demotic life, as for example, at Кустодиева, and with attempt through primitive thing art to find a way out of labyrinths of modern psychologist and умозрений, to find the lost sources of an is naive-complete sight

at the world. In a little bit other form the same tendency acts in art of M. 3. Walked (1887-1985). Extraordinary steadfast carefulness in reproduction most that on is prosaic details of conditions of the provincial backward life changed by paints of a spicy, magnificent palette, is combined at All Walked with fantastic motives of fantastic flights, heavenly signs, etc. it is similar to whims of the romantic fantasy fancifully mixing ennobled and low, casting memoirs on romantic stories of Gogol. Pre-revolutionary creativity of most original of painters adjoins to a primitive line in Russian art - P.N.Filonov (1883-1941). Modern primitiveness is understood by it only as means to "simulate" in painting a certain complete picture of the world, the type of a world view

giving in modern зри - тельном experience representation about mankind myths. For the artist of the XX-th century it was a way to remind that makes a back of a machine civilization that is pushed aside by it on periphery of public attention, namely about patrimonial in the person, about that "part" of the person which it is with the nature, with its dark, is tenacious-inert, mysterious night, forces, "contact" with which forms the essential maintenance labor, in particular country, a life. So, in "Коровницах" (1914) Filonovs all is molded to each other as though in the chaotic disorder. The complicated syntax of a graphic phrase suggests the spectator to seek sense and sequence in combinations of subject forms and figures,

following by guessing, that ring in a sheaf of human memory where there could be a key to the code number of this picture. But the direction of these searches is set by the picture withdrawing in area of primitive natural myths. The usual parity top and bottom here is turned: toy small houses are perceived as visible at a distance from above so, that figures of animals and коровниц "hang" in dark heavens over the world and appear in зооморфные and антропоморфные forms with that paradoxical, is angular-exact approximations from what zodiac figures in a kaleidoscope of constellations in a night sky are outlined by a sight. Especially terrestrial scene is shown as mythical праистория, творимая in heavens, but this heavenly

is simultaneously and something is dense-primitive, reminding of primary participation of the person in fauna, about those times and about that condition of consciousness when the Supreme deity of the sky appeared in image of "a heavenly cow", and cattle breeding work was ritual religious rite, "heavenly service". It is a life what she looks from dark depths of patrimonial memory. " Impersonal "- this the formula can define a method and simultaneously a theme of art of Filonov recreating in the "hieroglyphic" form habitual for Russian art a way, process, stages of it is impersonal-natural in spiritual. Specific of graphic language, symbolical on the origin, halves perception of visible forms and qualities of the subject world between direct

and portable values. So "dark" in Filonov's pre-revolutionary pictures is both night, and metaphysical "gloom", prehistoric "darkness"; primitively stocky figures simultaneously both массивны, and бесплотны; light and color are merged in uniform quality, reminding effect of a stained-glass window; figures as much remind primitive idols, how many and medieval "chimeras". Many qualities of graphic system of Filonov, as well as the way of creation "the new relation to the validity by revision of a series forgotten a world view", have the nearest prototype in Vrubel's art. Propensity of artists of 10th years to experiment, to decomposition of complete art impression for the sum of elementary influences for the sake of