The Role Of Love In Much Ado — страница 2

play. Arguably the most compelling of Shakespeare’s characters in Much Ado About Nothing, Bene*censored* and Beatrice exhibit a depth of thought and wit that the other characters lack. Their constant rude yet flirtatious banter shows a level of interaction unique to that couple. The barbs they throw that sting so effectively show how well they know each other. Because of this, their feelings bear a closer resemblance to what I believe to be true love. Love itself is a powerful emotion. To me, the only other emotion that comes close to conveying the same passion is hate. For this reason, the line separating the two is often confused. Beatrice and Bene*censored* are both compelled to each other in an irresistible way. Because both characters renounce love and the institute of

marriage, they attribute this attraction to hate alone. When their friends finally trick them into thinking that each is in love with the other, both Beatrice and Bene*censored* are forced to examine the possibility of falling in love. Once this door has been opened, the two easily cross the line from hate into love. The foundation for their relationship is already established, which makes the transition natural. In Much Ado About Nothing, Shakespeare plays with the concept of romantic love and its effects on those who experience it. Although Shakespeare and I would probably disagree on many of the particulars, I would have to admit that his interpretation of the word allows for a comical and highly entertaining piece of work.