The Birdcage Essay Research Paper What attracts

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The Birdcage Essay, Research Paper What attracts us to the movie theatre on Friday nights? Is it the commercials we see? Or is it all the gossip we hear from friends and TV talk shows? Well for many, it is the critiques we read and hear almost every day. One who specializes in the professional evaluation and appreciation of literary or artistic works is a critic. The profession of movie criticism is one of much diversity. Reviews range anywhere from phenomenal to average. Not only are movies created for the entertainment and sheer pleasure of the audience, they create a market of jobs and open doors to the world of financial growth. The success of these films, whether they are tremendous or atrocious, is not only dependent of the actual film, but also upon the critic’s

reviews. It is a form of assistant advertising, in addition to commercials and billboards. A movie review is composed of summaries, plots, controversial issues, perks, and detriments. They discuss the features of the movie and certain points that appeals to the critic. Not to forget that the sole purpose of writing these reviews is to persuade the reader to take on a pre-opinionated view of the film prior to viewing it. In addition, they hope the reader enjoys their style to further persuade them, as well as others, to persist in reading their reviews. Based on a corroboration of the three critics, Hinson, Howe, and Berardinelli, there is one basic overview of the movie The Birdcage. For some twenty years, Armand (Robin Williams) and Albert (Nathan Lane) have lived together as

husband and wife (so to speak). Both are openly gay, and seemingly comfortable with their sexuality. They are partners in business where Armand operates a drag nightclub and Albert is the star performer. They have a son, Val (Dan Futterman), the product of Armand’s one-night rendezvous twenty-one years ago with big-time executive Katherine Archer (Christine Baranski). As far as his upbringing is concerned, Val is as much Albert’s son as Armand’s, and he is not ashamed of his unusual family situation, at least not in the normal course of things. Things go awry when Val becomes engaged to the 18-year old daughter of Senator Keeley (Gene Hackman), the co-founder of the Coalition for Moral Order who believes that Billy Graham is too liberal. Since there is no chance that Keeley

would sanction a marriage between his daughter and the son of a gay couple, Val pleads with his father to pretend to be straight, if only for one night. The result of this, as might be expected, is a hilarious disaster full of outstanding performances. Robin Williams, despite his reputation for unfettered mania, is surprisingly restrained throughout most of The Birdcage, doing a little serious acting along the way. Nathan Lane, playing the effeminate Albert, is the real star, whether he’s trying to swagger like John Wayne to act “manly” or costumed like a housewife. Gene Hackman has the straight man’s role, into which he fits wonderfully. The only role that is over-the-top is Hank Azania as Aggedor, the houseboy for Armand and Albert. The film is so entertaining that it

is easy for the unsuspecting viewer not to realize its hidden message. The structure of The Birdcage is designed to show us that there isn’t much difference between conservatives and liberals, and on that note, straight and gay people. Hal Hinson, a movie critic of The Washington Post, best describes The Birdcage as “a movie of many laughs.” In the review titled “The Birdcage: A Wingding of a Show,” Hinson describes in great detail the setting and plot of this movie, and makes it clear that is what the reader is looking for. However, it is quite clear that he has made the assumption the reader has not yet seen the film. He also assumes that the audience has even the slightest sense of humor. The movie is presented as one for almost any age and for people whom are quite