Tales Of The City 2

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Tales Of The City – Book Report Essay, Research Paper Christoph Jeff Micklon s Book Report FOR ENG 744.3 Gay Literature Dr. John Bowers Spring 1996 Tales of the City Armistead Maupin When you sense the affection where people enfold their loving kindness you are probably amidst the tenants of 28 Barbary Lane, San Francisco 94109. Perhaps tenants is the wrong word, it should be something more like a friendly community of people. In Tales of the City , by Armistead Maupin, the characters are intertwined with togetherness. The mother of all mothers, the landlady , guardian of all who live under her roof, orchestrates an unfolding story that is captivating and compelling. It Is her love that permeates the other characters within this story. This sequence of story snippets was

originally introduced to San Francisco Chronicle readers back in 1976. It is because of this that each sub-story, or chapter in the book, is a self sustaining story in itself, more so than most chapter arranged narratives. This book is the first volume in a series, that chronicles the life of a small number of San Francisco residents. With each new chapter there is a personal development for the characters within. It is this sense of development that is most important for the continuity of Tales of the City. The development neatly meshes the character s lives with one another, till ultimately the product is a mass evolution. It is interesting to note that the writing style Mr. Maupin uses to guide the story forward is consistent throughout the book. Chapters inevitably commence

with a character s response to the given situation. There are several departures from this style, which are explained further on in this book report. The chapters are suited for the readers of a newspaper. Each is short, usually between two and four pages in length. This makes the reading simple to digest. Each chapter equates to an individual episodes of a television soap opera. Chapters link their engaging scenarios together to form a habit forming series. The first thirty-one chapters amply show the author s intended direction & purpose for the entire novel. “Taking the Plunge” ch.1 p.1-3: This is the introduction of the unfolding Mary Ann Singleton & the expeditious Connie Bradshaw. Vacationing in San Francisco for eight days Mary Ann discovers that she wishes to

escape her home and stay in San Francisco. She attempts to convince her mother she is doing the right thing. Haplessly she is not even sure herself about this. Confronting her housing situation head-on Mary Ann asks her friend, Connie, if she can shack up with her till she finds her own pad. “Connie s Place” ch.2 p.4-7: Mary Ann moves into Connie s apartment. She believes her new life will begin soon. The two new roommates reminisce about their childhood together, not looking forward but looking back. Mary Ann discovers a myriad cologne collection in Connie s bathroom cabinet. Connie is still popular with the men, a quality she is striving for in her new life. “A Frisco Disco” ch.3 p.8-11: Mary Ann & Connie go out clubbing together for different reasons. Marry Ann

pretends to disrobe her innocence, but her attempts do not work. Due to her inability to put aside her starched values she turns down a sexual advance from a man. With the night s failure, and without Connie, she goes home early. “Her New Home” ch.4 p.12-15: This is the introduction of the caring & passionate Anna Madrigal. Mary Ann had enough exposure of Connie s Trix. Out of the three places the rental agency sent her, Mary Ann discovers that 28 Barbary Lane is where her new funky home will be. Once back at Connie s apartment, Connie suggests they meet at the Safeway for another man hunt. “Love with the Proper Shopper” ch.5 p.16-19: This is one of the only chapters where scenery is in place before the introduction of characters. The grocery is more paramount to the