Литература Великобритании и США — страница 8

  • Просмотров 17031
  • Скачиваний 53
  • Размер файла 116
    Кб

discrepancies reveal the author’s view on the importance of mutuality between a husband and a wife.When examining the relationship between Adam and Eve, critics tend to accept an either Adam- or Eve-centered view in terms of hierarchy and importance to God. David Mikics argues, by contrast, these positions "overstate the independence of the characters' stances, and therefore miss the way in which Adam and Eve are entwined with each other".[12] Milton's true vision reflects one where the husband and wife (in this instance, Adam and Eve) depend on each other and only through each other’s differences are able to thrive.[12] While most readers believe that Adam and Eve fail because of their fall from paradise, Milton would argue that the resulting strengthening of their

love for one another is true victory.Although Milton does not directly mention divorce, critics posit theories on Milton's view of divorce based on inferences found within the poem. Other works by Milton suggest he viewed marriage as an entity separate from the church. Discussing Paradise Lost, Biberman entertains the idea that "marriage is a contract made by both the man and the woman".[13] Based on this inference, Milton would believe that both man and woman would have equal access to divorce, as they do to marriage. Feminist critics of Paradise Lost suggest that Eve is forbidden the knowledge of her own identity. Moments after her creation, before Eve is led to Adam, she becomes enraptured by an image reflected in the water (her own, unbeknownst to Eve).[14] God

urges Eve to look away from her own image, her beauty, which is also the object of Adam’s desire. Adam delights in both her beauty and submissive charms, yet Eve may never be permitted to gaze upon her individual form. Critic Julia M. Walker argues that because Eve "neither recognizes nor names herself ... she can know herself only in relation to Adam."[15] "Eve’s sense of self becomes important in its absence ... [she] is never allowed to know what she is supposed to see."[16] Eve therefore knows not what she is, only what she is not: male. Starting in Book IV, Eve learns that Adam, the male form, is superior and "How beauty is excelled by manly grace/ And wisdom which alone is truly fair."[17] Led by his gentle hand, she yields, a woman without

individual purpose, destined to fall by "free will." Milton's 17th century contemporaries by and large criticized Milton’s ideas and considered him as a radical, mostly because of his well-known Protestant views on politics and religion. One of Milton's greatest and most controversial arguments centers on his concept of what is idolatrous; this topic is deeply embedded in Paradise Lost.Milton's first criticism of idolatry focuses on the practice of constructing temples and other buildings to serve as places of worship. In Book XI of Paradise Lost, Adam tries to atone for his sins by offering to build altars to worship God. In response, the angel Michael explains Adam does not need to build physical objects to experience the presence of God.[18] Joseph Lyle points to

this example, explaining "When Milton objects to architecture, it is not a quality inherent in buildings themselves he finds offensive, but rather their tendency to act as convenient loci to which idolatry, over time, will inevitably adhere."[19] Even if the idea is pure in nature, Milton still believes that it will unavoidably lead to idolatry simply because of the nature of humans. Instead of placing their thoughts and beliefs into God, as they should, humans tend to turn to erected objects and falsely invest their faith. While Adam attempts to build an altar to God, critics note Eve is similarly guilty of idolatry, but in a different manner. Harding believes Eve's narcissism and obsession with herself constitutes idolatry.[20] Specifically, Harding claims that

"... under the serpent’s influence, Eve’s idolatry and self-deification foreshadow the errors into which her 'Sons' will stray."[20] Much like Adam, Eve falsely places her faith into herself, the Tree of Knowledge, and to some extent, the Serpent, all of which do not compare to the ideal nature of GodFurthermore, Milton makes his views on idolatry more explicit with the creation of Pandemonium and the exemplary allusion to Solomon’s temple. In the beginning of Paradise Lost, as well as throughout the poem, there are several references to the rise and eventual fall of Solomon's temple. Critics elucidate that "Solomon’s temple provides an explicit demonstration of how an artifact moves from its genesis in devotional practice to an idolatrous end."[21]