Andy Warhol And Pop Art Essay Research

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Andy Warhol And Pop Art Essay, Research Paper Pop ArtThe pop art movement began in London during the 1950’s and then quickly spread throughout nearly all of the industrialized world. Although the artists did have some overlapping styles, pop art focuses more on the subject and less on style, which was left up to each individual artist. The main themes that is evident in all pop art revolves around modern social values. The style in which these values were portrayed varied depending on the culture and artist. Critic Barbara Rose claimed in her review of a Pop Art show that Pop Art, ” I wish to disagree with the assumption that pop art is an art style. It is not; these artists are linked only through their subject matter, not through stylistic similarities. This makes it

possible to talk of the iconography or attitudes of Pop art, but not of Pop art as an art style, as one would speak of Baroque or Cubism.” (Bondo, 1998) In America, Pop Art used the images and techniques of mass media, advertising, and popular culture, often in an ironic way to play off the social issues of popular culture. The art form developed rapidly once reaching the U.S. New York City, often viewed as the epicenter of American popular culture, fostered the growth of many of the most highly regarded pop artists, including Warhol, Rosenquist, Segal and Lichtenstein. California, namely San Fransisco was recognized as the Pop Art capital of the west coast (Bourdon, 1989, 12)Subject The subject of Warhol’s work revolved around various American social issues of the

mid-century. As America exited from World War II and entered the Baby Boom era, the culture had become decidedly sanitized. Some of this could be attributed to the Cold War and fear of the “enemy”. The flight to suburbia, mass production, conservative family values, and development of new social standards also played a major role in this “Leave-it-to-Beavering” of the nation. This was also the period of time where admass culture had its beginnings. Warhol played off the irony of these issues in such works as Campbell’s Soup Cans and his famous Brillo Boxes (Bourdon, 1989, 34) During the 1960’s, the nation began to see rapid changes. The space program was under way, the Vietnam war was in action, Kennedy was killed, racial equity became and issue and the “hippie”

movement was at its peak; spreading its trademark ideals of free love, drugs and music. Although Warhol continued his focus on the irony of admass culture, he began to branch out into new territory. He began to print his Flowers series, which had a decidedly psychedelic flavor to them, matching the flavor of the current social scene (Bourdon, 1989, 42) As the 70’s disco scene came to rise, Warhol’s work followed. Warhol himself frequented many of New York City’s hottest, most glamorous nightclubs. Studio 54, famed for its exclusivity, was one of Warhol’s favorites. It is at this period that Warhol became totally engulfed with creating works of other people, mostly celebrities. Ever since childhood, Warhol had been obsessed with celebrity life and fame. Some of Warhol’s

most famous works were of celebrities. Many were chic designers such as Halson, Diane von Fursenberg, Jean Paul Gaultier and Yves Saint Laurent (Bourdon, 1989, 53) Death and disaster was also a subject that Warhol worked with, especially during the early 60’s. These subjects contrasted somewhat with his others, for they seemed to be far more gruesome and vulgar. However, it was said that these were not intentionally vulgar, but again a clip from popular culture. When confronted about the morbidity, Andy said “Every time you turn on the T.V. or radio, they say something like ‘4 million are going to die’. That started it.” Warhol frequently remarked about news broadcasts that projected deaths. For example, a news program may project that 50,000 people will die in alcohol