Analysis Of Paul Cezanne

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Analysis Of Paul Cezanne’s Work Essay, Research Paper ANALYSIS OF CEZANNE?S ?STILL LIFE WITH A PEPPERMINT BOTTLE? Paul Cezanne is considered one of the greatest and most memorable artists of the Post-Impressionist period. His techniques were admired and greatly influential in the development of Cubism and many other modern art movements. He employed several styles in his works, such as his still life productions. In 1894 he produced a brilliant piece of work entitled ?Still Life with a Peppermint Bottle?. Through this work he used elaborate techniques that most artists had not even discovered during his era. Cezanne mastered the technique of still life. In his paintings he used random objects such as a peppermint bottles and fruit (these examples taken from his painting,

?Still Life with a Peppermint Bottle?), which symbolized the private part of man?s nature. Jane Roberts supports this idea in stating that, ? ? man will gladly surround himself with beloved knick knacks with which he can be isolated with and alone?? (Roberts 213). She goes on to say that these objects are contemplative in nature, allowing man to sit and ponder their meaning. When I speak of contemplation, I mean that every object is taken into account and their meaning of existence and placement are reflected upon. The fruit on the table has many other meanings besides being edible or for human use. By observing the fruit, you come to realize that the fruit is not being used for a human purpose, such as for food. It is something to be contemplated rather than considered for human

needs, it is of a non-human essence and exists mainly for the eye. It is meant to be explored in vision alone and tantalize the eye. The next object that is noticed in the painting are the images of the flask and peppermint bottle. The peppermint bottle is drawn with an elegant double curvature, which reappears in the simple rounding of the fruit. The darker shades emitted from the bottle and flask creates a sense of intensity and warmth. The flask is compared to the peppermint bottle as simpler, but yet illustrious. This object is depicted as having no use in human purpose; its only purpose is merely to be contemplated by the observer. The elegant curves of the peppermint bottle and the flask can be described as being simple but yet bold. They seem to stand out in the picture

and are the first to be noticed due to their great design. They seem to be superior over the rest of the objects in the painting. The next thing noticed by the human eye is the elegant drapery that is placed over the table. The drapery seems to have the greatest curves in the entire painting. It is freely drawn but is still has the constricting folds and curves. However, even though it is freely drawn the observer can see that it works in complete harmony with the other objects in the painting. All of these objects work together to form the still life masterpiece that Cezanne had intended. When we observe these objects together, we can see Cezanne?s intention of the masterpiece. When we look at the vertical and horizontal aspects of the painting, we receive whole different view

of the artwork. The horizontal aspect of the painting is surpressed and the table is the only evidence of a horizontal element. The table is hidden and not very apparent to the eye. Yet, the vertical aspect of the painting is portrayed in many different ways. The wall is a great example of this technique. The wall is brought close to the other objects through the severe lines drawn and the colors used. The kneaded drapes are another part of the painting that reveal the vertical aspect of the work. The freely flowing drapes with their accidental folds and curves surrounding the objects on the table leave a mental image of trees and buildings in hidden depressions of the earth. The flask and peppermint bottle seem to rise out the drapery just like trees and buildings rise out of