An Anthology Of Short Stories By Jorge

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An Anthology Of Short Stories By Jorge Borges Essay, Research Paper An Anthology of short stories by Jorge BorgesIn the following three short stories by Jorge Luis Borges, we see how the idea of real the and illusion influence one another as described by the author and in his work. In the first short story, Everything and Nothing, Borges explains how people hide behind the illusion of being an actor in order to be some one other than themselves. In this short story, From Something to No One, he demonstrates the idea that G-d is ” nothing ” in illusionary thought, but is ” everything ” in reality. Limits, the third story, reverses the illusion of death’s limits to a more legitimate reality. Everything to Nothing, describes a man who petends to be someone, so it

shouldn’t be discovered that he was no one. He entered the profession of being an actor, someone who, on a stage, plays at being someone else in front of poeple who think he is really that person. He recieved great satisfaction from his work until the last lines were read and the last scene was completed and then he tatsted the “hateful taste of unreality.” He would leave the stage where he is the image of a hereo in a tragic tale and once again become no one. Anthony Kerrigan who translates the short stories, states that this one person plays many parts, and as Iago, from shakespeare, says ” I am not what I am.” This passage is perhaps a play on words taken from Exodus in the Old Testement, in which G-d prclaims: ” I am what I am.” Kerrigan continues to tell us

that this man was in hallucination for twenty years. However one day he was overcome by the horror of all the kings he played that died by the sword and settled on the sale of his theater. He realized he had to become someone and made his fortune in making loans. He would only play the part of a poet when his friends from London came to visit. Before his death we are told he found himself facing G-d and said: ” I, who have been so many men in vain, want to be one man, myself alone.” From a whirlwind G-d replied ” I am not, either. I dreamed the world the way you dreamed your work, my Shakespeare: one of the forms of my dream was you, who, like me, are many and no one.”In, From Someone to No One, Borges describes the illusion people have about G-d. He tries to illustrate

that the magnification to the point of nothingness comes about in all cults. We see this in Shakespeare who resembles all men. In himself he was nothing, but he was everything that all othes are, or what they can be. ” To be one thing is inexorably not to be all other things.” The confused intuition of this truth has induced men to imagine that not to be is more than to be some thing, and that in some way, it is to be everything. Kerrigan emphasizes, in his translation, that behind revelations or apparations of the divine, G-d is the only one reality. John the Irishman, defines G-d by using the word “nihilum” which means nothingness. He is Nothing and No One. This conditon is more than to be a Who or a What. Schopenhauer has written ” that history is an interminable and

perplexed dream on the part of generations of humans; in the dreams there are recurring forms, perhaps there are nothing but forms, one of them is the process described on this page.” The exisitence of G-d, since he isnt a real being, is an illusion. However, with the only concrete wittness, that being the eye, we see his great works and his being becomes a reality. Kerrigan stresses the fact that although G-d may be “nothingness”, that is in some way “everything” which in fact explains why G-d is ” the divine One.”The third short story, translated by Kerrigan and Alastair Reid, Limits illustrates the idea of real and illusion with the theme of death. Death reduces a person’s limits on life and leaves them with just memories. Reid translates the short story a